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By Robert Scucci
| Published
I don’t know about you, but when I think of Milla Jovovich, I think of the first Resident Evil (2002), which I quite liked, and then the rest of the Resident Evil movies, which … yeah. The point is that I never paid much attention to her career outside of that franchise and maybe a couple of other bangers like The Fifth Element. She just wasn’t on my radar, so I probably missed out on a bunch of great films, like 2007’s .45a straight-up crime thriller centered on a domestic abuse-fueled revenge arc carried out by Jovovich’s character.
It’s a lean thriller that has a lot going for it, but it isn’t without issues when it comes to structure and characterization. The chemistry between Milla Jovovich and Angus Macfadyen is reason enough to check this one out, but I’d be lying if I said the third act wasn’t frustrating as hell, which I’ll get into soon.
Couples That Sell Guns Together, Don’t Have Fun Together
.45 is the story of Kat’s (Milla Jovovich) volatile relationship with her small-time criminal boyfriend, Big Al (Angus Macfadyen). Big Al likes to think he calls all the shots, but Kat isn’t innocent in her willingness to move guns and other stolen wholesale items out of their New York City apartment. Always coming and going is Vic (Sara Strange), Kat’s ex-girlfriend, who never sticks around for long because Big Al is a loose cannon, and because she still has feelings for Kat that she’s trying to work through. One of Big Al’s frequent collaborators, Reilly (Stephen Dorff), is also in love with Kat and only continues to work with him so he can stay close to her.
Vic and Reilly both keep tabs on Kat and Big Al’s relationship because Big Al is incredibly territorial and abusive, both physically and emotionally, and they want to make sure she’s safe. It’s demonstrated pretty quickly that Kat isn’t safe at all after Big Al sees her interacting with Jose (Vincent Laresca), a rival criminal she’s secretly selling guns to on the side. Though Big Al doesn’t know about Kat’s side hustle, he completely flies off the handle when he sees her lighting Jose’s cigarette becuase he interprets it as her flirting with the man. The scenes that follow are not for the faint of heart, as they contain some brutally effective depictions of domestic abuse.
Trapped in an abusive relationship she’s afraid to leave out of fear for her life, Kat is approached by Liz (Aisha Tyler), a representative from a local battered women’s support group who also develops feelings for her. Clearly in distress over her living situation, Kat is afraid to make the changes she needs to make, prompting Vic, Reilly, and Liz to help her come up with a plan that will remove Big Al from her life once and for all.
The Most Difficult Parts To Watch Are The Best Performed
The real meat and potatoes of .45 is the dynamic between Big Al and Kat. Their relationship is beyond toxic, and neither of them are innocent. While they’re both criminals, Big Al is more often than not in the wrong, which becomes obvious through the way he treats his girlfriend. Kat loves to push buttons and antagonize people, especially Big Al, when she feels it’s warranted, but nobody deserves to have hands laid on them the way she does once Big Al starts to spiral. Everybody sees it but her. She’s so locked into this lifestyle that she has no idea what her next steps should be.
The abuse sequences are difficult to watch, to say the least, but they’re acted superbly. Kat is a strong woman struggling to break the cycle of abuse, and when things hit critical mass, you can see every conflicting emotion written across her face. She can either stick with the devil she knows or take her chances elsewhere, which could put her in even more danger if Big Al actually follows through on some of his more unhinged threats. Angus Macfadyen is also the perfect loose cannon, doing a superb job channeling that small-ball, “If another guy even looks at you, I’m going to kill you both” kind of energy.
Where .45 loses points, however, is its quasi-mockumentary setup, which strips the film of much of its suspense. Throughout the movie, we get testimonials told in hindsight from Kat, Reilly, Vic, Liz, and even Big Al’s mother, all discussing the relationship dynamic. This is almost always a bad move in a thriller, especially when half the tension comes from wondering whether somebody is going to get killed. Since they’re all talking about these events after the fact, it’s reasonable to assume they’ve already made it out of the situation that drives the central conflict.
Another aspect that rubbed me the wrong way is how fixated everybody is on Kat. They’re all crushing on her hard, talking about how much they love her and how badly they want to be with her. There is eventually a payoff to all of this, but the whole thing reminded me of that Frasier episode where Frasier’s ex-fiancée Diane, who left him at the altar during her Cheers days, shows up in Seattle after writing a play about their relationship in which every single character talks about how amazing she is. The supporting characters here often feel too one-dimensional to fully support an otherwise complex story about the toxic relationship connecting them all.
Still, .45 is an effective thriller about a criminal couple who can barely hold it together while everybody on the sidelines waits for one of them to get thrown in jail or killed. The strong chemistry and characterization between its two leads are reason enough to tune in, but don’t say I didn’t warn you about some of the supporting characters knocking the film down a couple of pegs.
As of this writing, you can stream .45 for free on Tubi.
